Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.   Related Paintings of Samuel John Peploe :. | Self-Portrait | Still Life with Coffee Pot | Freeden gallop | Boats at Royan | Barra |
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Montald, Constant
Belgian Painter, 1862-1944 Belgian painter, illustrator and teacher. He studied at the Koninklijke Academie of Ghent, and first made his mark by winning the Prix de Rome in 1886 with Diagorus Borne in Triumph. This success allowed him to travel throughout Europe and the Near East. In 1896 he took part in the first Salon d'Art Id?aliste, organized by Jean Delville, and exhibited there regularly. In the same year he became professor of decorative art at the Acad?mie Royale des Beaux-Arts in Brussels, a post he held for the next 37 years. He was a founder-member of L'Art Monumental in 1920
Luis de Morales
(1510 - 9 May 1586) was a Spanish painter born in Badajoz, Extremadura. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion. Influenced, especially in his early work, by Raphael Sanzio and the Lombard school of Leonardo, he was called by his contemporaries "The Divine Morales", because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work. His work has been divided by critics into two periods, an early stage under the influence of Florentine artists such as Michelangelo and a more intense, more anatomically correct later period similar to German and Flemish renaissance painters
Eugenio Lucas Velazquez
Madrid artist , 1817-1870